Search

Dandivine

2026

Twenty years have passed since the combining robot Dandivine repelled the mysterious enemy known as the Aposdoll. The world was at peace, but the toy manufacturer Kasuga, which once took the world by storm through its Dandivine toy line, was in a steady decline due to an over-reliance on the franchise. Genjuro Shijima, the president of Kasga, now yearns for the resurrection of Dandivine, even if it means disturbing the peace of the world. As if his desire reached the heavens, an Aposdoll appears in Tokyo once again.

Cyril Ritchard

Legendary for his preening, prancing, delightfully playful villain Captain Hook on the award-winning stage (as well as TV) opposite America's musical treasure Mary Martin, beloved musical star Cyril Ritchard had a vast career that would last six decades, but "Peter Pan" would become his prime legacy. Born in Australia just before the turn of the century, he was educated at St. Aloysius College and Sydney University wherein he slyly sidestepped a parental-guided career in medicine for entertainment, participating in numerous college productions that quickly got him "hooked." He began professionally in the chorus line of The Royal Comic Opera Company and quickly progressed to juvenile leads. A subsequent pairing with the already-established theatre actress Madge Elliott in 1918 proved successful, and the musical twosome eventually married in 1935. Together they would go on to become known as "The Musical Lunts" by their acting peers performing in scores of plays and revues together. Ritchard specialized in playing slick, dandified villains in musical comedy and developed a potent reputation of being a man of many talents. Not only directing and staging Broadway's finest, he became a renown performer of various operas and led many productions as such. Shortly before his wife's death of bone cancer in 1955, Ritchard ventured into TV infamy by repeating his Tony and Donaldson award-winning portrayal of Hook in Peter Pan (1955). He continued to earn acclaim and/or honors with such classic stage productions as "Visit to a Small Planet" (Tony-nominated), "The Pleasure of His Company" (Drama League award, Tony-nominated), "The Roar of the Greasepaint...the Smell of the Crowd" (Tony-nominated), "A Midsummer Night's Dream" and "Sugar," the musical version of the classic Billy Wilder film Some Like It Hot (1959) in which Ritchard played the Joe E. Brown role. Lesser regarded when it comes to film, he performed in the early Hitchcock classic Blackmail (1929) and made his last movie with the musical Half a Sixpence (1967) with Tommy Steele. While performing as the Narrator in a stage production of "Side by Side by Sondheim" in November 1977, Ritchard suffered a heart attack and died one month later. A one-of-a-kind talent, his nefarious, narcissistic humor was a career trademark that culminated in the role of a lifetime -- one that will certainly be enjoyed by children young and old for eons to come.

Jean Anouilh

Jean Marie Lucien Pierre Anouilh (23 June 1910 – 3 October 1987) was a French dramatist whose career spanned five decades. Though his work ranged from high drama to absurdist farce, Anouilh is best known for his 1944 play Antigone, an adaptation of Sophocles' classical drama, that was seen as an attack on Marshal Pétain's Vichy government. His plays are less experimental than those of his contemporaries, having clearly organized plot and eloquent dialogue. One of France's most prolific writers after World War II, much of Anouilh's work deals with themes of maintaining integrity in a world of moral compromise. Anouilh was born in Cérisole, a small village on the outskirts of Bordeaux, and had Basque ancestry. His father, François Anouilh, was a tailor, and Anouilh maintained that he inherited from him a pride in conscientious craftmanship. He may owe his artistic bent to his mother, Marie-Magdeleine, a violinist who supplemented the family's meager income by playing summer seasons in the casino orchestra in the nearby seaside resort of Arcachon. Marie-Magdeleine worked the night shifts in the music-hall orchestras and sometimes accompanied stage presentations, affording Anouilh ample opportunity to absorb the dramatic performances from backstage. He often attended rehearsals and solicited the resident authors to let him read scripts until bedtime. He first tried his hand at playwriting here, at the age of 12, though his earliest works do not survive. In 1918 the family moved to Paris where the young Anouilh received his secondary education at the Lycée Chaptal. Jean-Louis Barrault, later a major French director, was a pupil there at the same time and recalls Anouilh as an intense, rather dandified figure who hardly noticed a boy some two years younger than himself. He earned acceptance into the law school at the Sorbonne but, unable to support himself financially, he left after just 18 months to seek work as a copywriter at the advertising agency Publicité Damour. He liked the work, and spoke more than once with wry approval of the lessons in the classical virtues of brevity and precision of language he learned while drafting advertising copy. ... Source: Article "Jean Anouilh" from Wikipedia in English, licensed under CC-BY-SA 3.0.